brett whiteley self portrait 1975 brett whiteley self portrait 1975

His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. 20-21, Heidelberg, May 1997, 21 (colour illus.). In his self-portraits, the artist reveals layers of himself and defines portraiture as something beyond the physical self to include his environment, personal and artistic influences, whether affirming or self destructive. 21, Port Melbourne, 2005, 21 (colour illus.). The Brett Whiteley Studio, Brett Whiteley: Interiors, Sydney, 2001. Many who were close to Whiteley, then aged 39, felt sure he would not survive beyond 40. The author, Ashleigh Wilson, was the arts editor of The Australian newspaper. One way that America influenced him is in the scale of his works. Kristin Williamson., The national times: Australia's national weekly of business and affairs., 'Brett Whiteley - Portrait of a Genius', Sydney, 25 May 1980-31 May 1980, 28-32 (illus.). ), 23. 15-41, London, 1995, 35, 165 (colour illus. 239-240, Sydney, 2000, 256 (colour illus. It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. Brett Whiteley Self Portrait In The Studio Framed Print . He . . Whitely started working as a artist in the studio of the Lintas Advertising Agency in Sydney and participated in John Santry's . I am trying to become a great man. [5]. This painting won the Archibald Prize in 1976 and was acquired by the Gallery in 1977. Donated through the Australian Government's Cultural Gifts Program. This article appeared in 'The Arts' section, and Dr. Keeney discusses problems artists have when painting their own hands. Many of the ideas from the work may have come from his experiences with alcohol, marijuana and other drugs. AU $100.00. 9 Shades of Whiteley is a mini-retrospective exhibition tracing the artist's life and career from his earliest work in 1955, with Self Portrait at Sixteen, to just a few months before his death, with Port Douglas, Far North Queensland 1992.. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. Shop with Afterpay on eligible items. In the late 1970s, Brett Whiteley won the Archibald, Wynne and Sulman prizes several times. Related research topic ideas. 213-236, Sydney, Summer 1982, 235 (colour illus.). The 44-year-old Hele's winning entry was a portrait of Mr Robert Campbell, South Australian National Art Gallery director.'. 0 bids Ending 7 Mar at 23:33 AEDST 5d 18h Local pickup. Get the best deals on Brett Whiteley Art Prints. Appearing in the 'Special Exhibiton' section. [4] He also spent time with friends including Mark Knopfler and John Illsley from the band Dire Straits. As with other works, there is evidence of Whiteley's love for Matisse, ultramarine blue, the Sydney Harbour location and for collected objects. Yet he would survive for another 14 years, fatally succumbing to his drug addiction in a motel room at Thirroul on the south coast of New South Wales in 1992. Brush and ink on brown paper 80.5 x 53.5cm. 07 Apr 1939 As the camera pans through the studio and over the works, Whiteley describes the challenges of being gifted and of overcoming his addictive tendencies. Were not looking at a would-be genius or a sinful penitent. 2023 Guardian News & Media Limited or its affiliated companies. Around him at the Hotel Chelsea, other artists and musicians took heroin, which Whiteley did not take at that time. 3], Sydney, Jan 1976-Mar 1976, 233 (illus.). One could be cynical about these additions, seeing them as pictorial short cuts that saved a lot of time and effort, but its entirely plausible Whiteley was motivated solely by inner necessity or at least, his own, idiosyncratic version of the concept. Their only child, daughter Arkie Whiteley, was born in London in 1964. But this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. . Whiteley's sculpture, Nude (1962) Brett Whiteley AO (7 April 1939 - 15 June 1992) was an Australian artist. But there was another side thats duality of life and thats where Bretts pictures moved away from Matisses. Appearing in the 'Salesroom' section of the Australian Financial Review, with regards to the sale of `The Balcony 2', acquired by AGNSW. He sometimes took more than his body could handle, and had to be admitted to hospital for alcohol poisoning twice. Whiteley remained in Europe for the next decade, exhibiting his work regularly in group exhibitions in London, Paris, Amsterdam and Berlin and establishing an international reputation. This article is associated with "Melba". Clare Gervasoni and Susan Paterson, Catbuster: Art, 1994. cat.no. 81-82, Port Melbourne, 1998, 82 (colour illus.). unknown author., The Australian, 'A buzzing, excited pitch', Sydney, 24 Jan 1977, 8. unknown author., The West Australian, 'Controversy likely over art winner', Perth, 22 Jan 1977, (illus.). That year he won the trifecta, being awarded all three prizes including the Wynne and Sulman. 15 Jun 1992. It was a daring, overt reference to a drug habit that many of Whiteleys admirers expected to cut short his career. It was first publicly exhibited at the Bonython Art Gallery in Paddington, Sydney in February 1972 as part of an exhibition titled Portraits and other emergencies. 'Brett Whiteley 1975. After studying desultorily at art school he travelled to Europe on ascholarship. Excerpt from the film 'The Australian Londoners' directed by Stefan Sargent. List of winners. 63-87, Sydney, 1999, 77 (colour illus. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. unknown author., Adelaide News, 'Two top art prizes to Whiteley', Adelaide, 21 Jan 1977. 'Appearing in the 'Time Out' section. . Brett WhiteleySelf Portrait In The Studio 1976Music: 4 minute excerpt from The Pipes of Pan at Joujouka (Brian Jones 1968)Track: Your Eyes Are Like A Cup of . 2023 John McDonald. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995. . This is the first time a Brett Whiteley exhibition has toured to regional Australia since the Brett Whiteley Studio opened in 1995. Martin Terry, Masterpieces of Australian Painting, 'Brett Whiteley b.Sydney 1939', pg. The coroner's verdict was 'death due to self-administered substances'. Catalogue text. I agree to terms and conditions. List of works . [4] He painted Woman in bath (1963)[5] as part of a series of works he was doing of bathroom pictures. Terry Smith, Australian cultural history, 'Populism and Privilege in Australian Painting', pg. List of works. Artist Natasha Walsh with her nearly completed Archibald Prize entry, a riff on Brett Whiteley's winning piece, 'Self-portrait in the studio'.Janie Barrett. Place yourself in your favourite room. Whiteley's self portrait is compared with Velaquez's of 1656, and Manet's of 1879. Brett Whiteley, AO was an Australian artist. Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.). Richard Hall (Editor), Sydney: an Oxford anthology, South Melbourne, 2000, front cover (colour illus.). Alivea Goncalves Stevenson told of her family's relief that a suspect is in custody for her sister, Kaylee's, brutal murder on November 13. Whiteley's daughter Arkie is photographed by Alan Pryke standing before his painting titled `Self portrait in the Studio'. 13: Brett Whiteley 'Self portrait in the studio' 1976. Whiteley's return to Australia in 1969 heralded a new preoccupation with colour and beauty. 165-213, Kensington, 1979, 204 (colour illus. This article was written in regards to Whiteley winning both the Archibald, and Sulman prizes in 1977. unknown author., Northern Star, 'Archibald Prize won by Sydney artist', Lismore, 22 Jan 1977. unknown author., The Australian, 'Archibald Reflection', Sydney, 22 Jan 1977. signed lower right: brett whiteley. Signed and dated l.l. How did his studio inspire Brett Whiteleys art-making? Are you being ignored or judged? Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, Brett Whiteley, 'Self portrait drawing calligraphically', 1975, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait', Brett Whiteley Studio Collection Wendy Whiteley. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people. Michaela Boland., The Weekend Australian, 'Whiteley's ex-wife ready to fight forgeries', Canberra, 06 Nov 2010-07 Nov 2010, (colour illus.). Nevertheless, within this perceived enlightened sense of judging, the Trustees reverted to traditional form with the award going to William Pidgeon in 1961 for Rabbi Dr I. Porush. 44-45, Sydney, Jun 2012, 45 (colour illus.). 28-29, Sydney, May 1997-Jun 1997, 29 (colour illus.). Gift of Patrick Corrigan AM 2004. 26-53, Melbourne, 1997, 49 (colour illus. Donated through. Editor Unknown (Editor), Brett Whiteley The Retrospective, This exhibition travelled to Victoria from New South Wales, Melbourne, pre 02 Jul 1996, Cover (colour illus.). fig.no. Brett Whiteley and the lyricism of the drawn line - in pictures . Works of art from the collection are reproduced as per the, Let me know when this portraits on display. Weight photographed Whiteley throughout the 1970s. [20] On 7 May 2007, Opera House, (which took Whiteley a decade to paint, and which he exchanged with Qantas for a period of free air travel) sold for A$2.8million, in Sydney. For portraiture to survive, especially self-portraiture, there has to be a deepening quality of self-revelation. Unlike 'Self portrait in the studio, critics were divided about 'Art, life and the other thing, perhaps because of its sensationalism and lack of subtlety compared to the earlier work. This appeared in the `Arts' section of `The Australian Supplement'. Baudelaire's Bird 1973 signed 'brett whiteley / Aug 1973' on verso oil and feathers on canvas on board 56.0 x 52.0cm (22 1/16 x 20 1/2in). 17, Melbourne, Feb 2001, 17 (colour illus.). The editor of this section was Geraldine Pascall. Barry Pearce, Australian art: in the Art Gallery of New South Wales, 'Landscape and gesture', pg. This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. A bald psychiatrist, Dr. Charles Berg, wrote an entire book in the subject: The Unconscious Significance of Hair (1951). 6-7, Melbourne, Jul 1996, 6 (illus. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. Christine Bates, Making art connections: Visual arts years 7 & 8, 'Lets make an artwork: Staying in/going out', pg. A detail of Whiteley's self portrait is accompanied with a photograph of the artist. He was the subject of an ABC television documentary called Difficult Pleasure directed by Don Featherstone in 1989, which showed him talking about many of his main works, and his recent works such as ones done during a month-long trip to Paris; one of his last overseas trips. Closed Good Friday & Christmas day 176-181, Sydney, 1984, 176, 177 (colour illus.). 47-49, Sydney, Nov 2008, 47 (colour illus.). Portraiture for Brett Whiteley was an insight into the psychology of the human condition. Shop with Afterpay on eligible items. This is a review of an exhibition which consists of Archibald Prize winning paintings, that was held at. His paintings during these years were influenced by the modernist British art of the sixties particularly the works of William Scott and Roger Hilton and were of brownish abstract forms. In 1972-73 Whitley produced another monumental work "Alchemy", described by Pearce as another self-portrait but without the fierce political agenda of its predecessor. Jonathan Cooper (Editor), The Art Gallery of New South Wales Bulletin, 'Big Blue', pg. Last modified on Wed 19 Oct 2022 10.16EDT, Original reporting and incisive analysis, direct from the Guardian every His poems have appeared in various anthologies, including those of the Newcastle Poets at the Pub; on various websites including the Black Dog Institute and the ABC; and on the walls of the New England Regional Art Museum with a Brett Whiteley self-portrait (2014) and the SCG Museum with Doug Walters Test cap (2014). 454-457, St Leonards, Mar 2003-May 2003, 455 (colour illus.). His rock-star status and his popularity in secondary school art rooms may have eroded his street cred in the art world, but Lou Klepac's book Brett . corner, white oil "1975 brett whiteley". Free entry, Find out what you need to know before visiting. Drugs and . This clip shows Brett Whiteley's artworks in his studio intercut with black-and-white photographs of him as a child. [23], The book was longlisted for a Walkley Book Award and Australian Book Industry Award, and shortlisted for the Australian Book Design Awards and the Mark and Evette Moran Nib Literary Award. 204-210. Self portrait in the studio, 1976. . [8] He took the van Gogh painting and stretched the lines of the room to a single vanishing point, creating an image which appears fast moving and extremely vibrant and dynamic. 40 years Kaldor public art projects 1961-2009 World events timeline ART GALLERY OF NSW / Kaldor public art projects explorer / WORLD EVENTS TIMELINE the 1960s was an It premiered at the Sydney Opera House on 15 July 2019. His self-portrait was a bold, almost grotesque confessional. 71-89, Sydney, 1984, 73 (colour illus). Source: Art Gallery of New South Wales Archive. Lina Tesoriero and Helga Nilson, Aspects of Arts, Marrickville, 1993, 23 (colour illus.). Barry Pearce et al., Brett Whiteley education pack, 'Self-Portraits and Other Intimacies', Sydney, 1995, (illus.). 20, No. (Whiteley 1979: 1) Whiteley also made images of the beach, such as his yellowish painting and collage work The beach II, which he painted on a brief visit to Australia before his return to London and his winning of a fellowship to America. unknown author., The Canberra times, 'Sydney artist Brett Whiteley wins Archibald Prize', Ainslie, 22 Jan 1977, (illus.). 1978 was the only year in which all three prizes have been won simultaneously by the same person. Closed Good Friday & Christmas day They had borrowed the money, using their car as collateral. Dogs, 1975. Portraiture shouldnt just be paint and canvas. Reading from left to right, it begins with an exploding sun from a portrait of Yukio Mishima that Whiteley had started but never completed. Humphrey McQueen, Art Monthly Australia, 'Positions vacant', pg. Review of 'WARNING: Smoking has been linked to some of the most powerful images of the twentieth century' exhibition, held at Mornington Peninsula Regional Gallery. 34, Sydney, 17 Jun 1992, 34. unknown author., The Sydney Morning Herald, 'Mirror image a winner for artist Whiteley', Sydney, 22 Jan 1977, (illus.). Clem Lloyd and Peter Sekuless, Australia's national collections, Sydney, 1980, 261 (colour illus.). gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. The Brett Whiteley Studio, Whiteley & Rees: More affinities, Sydney, 2005, (illus.). Birds and heroes people Brett Whiteley's art. 0 bids Ending Today at 22:53 AEDST 19h 16m Local pickup. He believed he had a gift he needed to share with everyone but couldnt escape his habitual self-centredness. Collage these images together to create a portrait to display in class. Look at these paintings and examine how Whiteley has given us clues to his identity. Peoples personalities are reflected in the things they collect and the environments in which they live. Create a self-portrait that reflects your emotional state. Self portrait in the studio, 1976 Brett Whiteley Oil, collage, hair on canvas 773 x 600 cm, AGNSW Brett Whiteley's Self Portrait in the Studio was an expressionism painting which stretched the definitions of portraiture. He soon settled in Lavender Bay. In this clip from the 1965 documentary 'The Australian Londoners', Brett Whitele. In 1970 he was invited to work in the consciously creative Yellow House with Martin Sharp, Brett Whiteley, George Gittoes and Peter Kingston, photographing its artists, installations and activities and there mounting his first exhibition, a series of photographs of the Cronulla sand dunes. List of journal articles on the topic 'Stanley Press (Firm)'. Having attained the height of success, he realised that from this pinnacle the only way is down. Nancy Borlase., The Sydney Morning Herald, 'Whiteley's year', Sydney, 27 Jan 1977, (illus.). Photograph of Whiteley's 'Self Portrait in the Studio' is taken "stored in the bowels of the Art Gallery of NSW", by Bruce Miller. Robert Hughes, art critic for 'Time' magazine was quoted several times throughout this article. Walsh also appears in the . 6-33, Brisbane, 2004, 22 (colour illus. From $35.80. List of works. The artists face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger landscape. Brett said he had wanted it to scare himself straight. [1]. Robert Walker, Gift of the Robert Walker family 2008, Brett Whiteley, 'Art, life and the other thing', 1978, Art Gallery of New South Wales. Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). How would the space be divided and what objects of inspiration would be around you? Do you feel welcomed or uncomfortable? Alec George, Look, 'Whiteley's 'inner paddock', pg. In his younger years he was sent to boarding school in Bathurst and also Scots Collage in Sydney. In the latter painting, the table in the front of the room close to the viewer has minutely decorated vases and small objects, while a drawing on the left and a sculpture to the extreme right show how Whiteley often used erotic images in his works. [4], In June 1991, Whiteley was appointed an Officer of the Order of Australia. Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. ), 81. It has primarily black on one side and has an image of his wife Wendy in a bathtub, seen from behind. This article appeared in the 'Arts Australian' section of 'The Australian' newspaper. [1] He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States. The other title to this self-portrait is 'Self-portrait in exactly the spirit in which it was drawn. Do you feel you are watching the subject or is the subject watching you? Art Gallery of NSW. Lou Klepac, Brett Whiteley Drawings (2013). The Australian artist is often celebrated for his painting but all his works had drawing at their core. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). Sandra McGrath., The Australian, 'A prize collection', Sydney, 27 Oct 1978, (illus.). High-quality Brett Whiteley Free Flowing Self Portrait Wall Art designed and sold by artists. Consider the gaze of Whiteley in each of these works. An unconventional triptych, it consists of a small, coloured photo of Whiteleys face; a distorted full-length portrait of him drawing a copy of Dobells Joshua Smith, the controversial Archibald winner of 1943; and a panel that features a screaming baboon in handcuffs, staring helplessly at a hand offering a hypodermic. Untitled (Bird) Brett . Wendy Whiteley, former wife of Brett Whiteley, talks about the work 'Self-portrait in the studio' (1976). Exhibition Commentary: Brett Whiteley at Bonython, Sydney. Whiteleys biographer, Ashleigh Wilson, describes the work as a confronting depiction of the panic and desperation of drug addiction. card no. 190-210, Cambridge, 1988, cover (illus. See all 85 works. brett whiteley self portrait studio essay; example of a critical analytical essay; big6 research paper organizer; canada as a middle power essay; 2007 ap english language and composition essay; an example of a detailed outline for a research paper; example essays on teamwork; example body of a thesis paper; bought find papers term 3), 'Collecting international art', pg. Balmoral Brett Whiteley 1978. Jane Hampson, Look, 'wwwhiteley.com', pg. Archibald Retrosepctive Exhibition, Art Gallery of New South Wales, Sydney, 1985-1985. Fixed: Release in which this issue/RFE has been fixed.The release containing this fix may be available for download as an Early Access Release or a General Availability Release. BRETT WHITELEY. [28], This article is about the artist. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995 Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of . [25], In August 2018, Opera Australia announced that it had commissioned an opera to be based on the life of Brett Whiteley. This article was edited by Sally White. Gregory Weight/Copyright Agency, 2022, Greg Weight [4] For Whiteley it was more like a compulsion to break the imaginary rules of painting, to be spontaneous and transgressive and to be recognised for these revolutionary gestures. He worked across painting, sculpture and the graphic arts, and is best known for his sensual and lyrical paintings of interiors, nudes and harbour scenes. Whiteley painted other images of the Australian landscape, including a view of the south coast of New South Wales after it had been raining called The South Coast after rain. Zo Ross (Editor), Eyewitness travel guides: Australia, 'Botanic gardens and the Domain', pg. Ursula Prunster, Aspects of Australian art, Sydney, 2000, (colour illus.). In 1978, Whiteley entered another controversial self-portrait into the Archibald Prize 'Art, life and the other thing and it too made an immediate impact. 9 (verso) in education pack. 232-243, Sydney, 2000, 232 (colour illus.). 'Windsor and Newton Deep Ultramarine oil colour has an obsessive, ecstasy-like effect upon my nervous system quite unlike any other colour. Donald Williams, In our own image: the story of Australian art, Sydney, 2002, 173 (colour illus.). The Hotel Chelsea displayed several of Whiteley's paintings from the time he lived there, including Portrait of New York which was hung behind the reception desk.[7]. IMAGE CREDIT: Brett Whiteley (1939-1992) Self portrait drawing calligraphically 1975. As it turned out, he could be neither scared nor shamed into giving up heroin. Saturday 29 April to Sunday 20 August 2006. He won all three prizes in 1978 (the first artist to do so) and the Wynne a third time in 1984. Deborah Edwards, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, 'Introduction', pg. No other Australian artist had such a wild, woolly set of curls. Before this, his previous highest-selling work was The pond at Bundanon for A$649,500. Brett Whiteley Self Portrait In The Studio Framed Print . 'Brett Whiteley Self Portrait and Other Intimacies', pg. ), 16 (colour illus.). Brett Whiteley is photographed by Robert Walker at. Further information can be found at http://www.artgallery.nsw.gov.au/brett-whiteley-studio/, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Bonython Art Gallery [Sydney], Paddington, 24Oct197515Nov1975, Three years on: acquisitions 1978-81, Art Gallery of New South Wales, Sydney, 15Oct198101Dec1981, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Orange, 19Apr198615Jun1986, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16Sep199519Nov1995, Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of the Northern Territory, Darwin, 13Dec199528Jan1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of Western Australia, Perth, 22Feb199608Apr1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of South Australia, Adelaide, 09May199616Jun1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 02Jul199626Aug1996, Brett Whiteley Art & Life (1995-1996), Tasmanian Museum and Art Gallery, Hobart, 18Sep199617Nov1996, Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21Jun199729Mar1998, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04Aug200003Dec2000, Affinities: Brett Whiteley & Lloyd Rees (2001), The Brett Whiteley Studio, Surry Hills, 10Feb200108Jul2001, Whiteley & Rees: more affinities (2006), The Brett Whiteley Studio, Surry Hills, 03Dec200510Apr2006, Whiteley & Rees: more affinities (2006), New England Regional Art Museum, Armidale, 29Apr200602Jul2006, 9 shades of Whiteley, Gold Coast City Art Gallery, Surfers Paradise, 12Jul200807Sep2008, 9 shades of Whiteley, Lismore Regional Gallery, Lismore, 13Sep200815Nov2008, 9 shades of Whiteley, New England Regional Art Museum, Armidale, 22Nov200808Feb2009, 9 shades of Whiteley, Newcastle Art Gallery, Newcastle, 14Feb200926Apr2009, 9 shades of Whiteley, Bathurst Regional Art Gallery, Bathurst, 01May200914Jun2009, 9 shades of Whiteley, Mornington Peninsula Regional Gallery, Mornington, 02Jul200923Aug2009, Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12Sep200922Aug2010, Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06Nov201019Mar2011, Blue (2011), The Brett Whiteley Studio, Surry Hills, 09Jul201108Jul2012, Destination Sydney, Manly Art Gallery and Museum, Manly, 05Dec201514Feb2016, Brett Whiteley: Lavender Bay, The Brett Whiteley Studio, Surry Hills, 25Oct201915Mar2020, Brett Whiteley: Blue and White, The Brett Whiteley Studio, Surry Hills, 30Apr202227Nov2022, Barry Pearce et al., Brett Whiteley education pack, 'Return to Sydney and Lavender Bay', Sydney, 1995, (colour illus.). Apart from the mirror portrait, this was clearly inspired by Matisse's Red Studio, with the colour transformed to Whiteley's favourite ultramarine blue. It was his comment on the direction the world might be headed and his response to a seemingly pointless war which could end in a nuclear holocaust. Transmission films. 40, No. ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. Photo David Christian, Brett Whiteley, 'Self portrait at 16', 1955, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait in the studio', 1976, Art Gallery of New South Wales. Self Portrait in Studio Brett Whiteley 1976. A photograph of a youthful Brett Whiteley also accompanies this article. This appeared in the `Arts' section of `The Australian Supplement'. His reference to art history, including an image of the famous 1943 William Dobell portrait of Joshua Smith, won a court case against accusations that it was a caricature, not a portrait. ), 21. He lived in the northern suburb of Longueville and attended Chatswood Primary School, then Scots College in Bathurst. Jenny Aland and Max Darby (Editors), Art Connections, 'Visual design or plan of artworks', pg. In these pictures the influence of Matisse reaches its apogee. The sculpture depicted on the right and others in the . I think he has done this to make the place seem more realistic because if he had . Imagine an ideal studio space that would help you to create art. How does it make you feel? Barry Pearce, Three years on: a selection of acquisitions 1978-1981, 'Australian Art', pg. Brett Whiteley AO (1939 - 1992) Born 7 April 1939 Sydney, New South Wales Died 15 June 1992 (aged 53) Thirroul, New South Wales Education Julian Ashton Art School Known for Visual arts Movement Avant-garde Awards: Biennale de Paris - International Prize for Young Artists 1962 Archibald Prize 1976 Self Portrait in the Studio, 1978 Max Prisk (Editor), The Sydney Morning Herald, 'The crucial art of living dangerously', Sydney, 17 Jun 1992, 17 (illus.). Whiteley looks out at us directly, with none of the emotional address of his early Van Gogh style portrait, none of the mock decadence of 1976, or the drug-fuelled angst of 1978. Kandinsky had a complex, theoretical understanding of the term, involving the artists personality, the context of their times, and the harmonious nature of a composition. For further information please contact NPG Copyright. Source: Art Gallery of New South Wales Archive, Brett Whiteley in his studio, 1976, by Robert Walker Estate of Robert Walker. BRETT WHITELEY The famed author Mishima had committed seppuku in 1970 and the literary mythology that arose of his apparent final vision of enlightenment in the form of the exploding sun, as he pressed the knife into his body, inspired and became the basis for this work. SELF-PORTRAIT, 1977 9-13, Cammeray, (1995-1996), 9-13. In the former, Whiteleys face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. David Shteinman, Philosopher, 'Tribute to a Dionysian Free Spirit. Rhana Devenport and Vaughan Rees, Art-i-facts, Book One: An exploration of art and design for junior secondary students, 'Structure in art and design', pg. Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. Greg Weight (b. 2-4, Sydney, 2001, 8. The Brett Whiteley Studio (Editor), Big Blue - The painted harbour, Sydney, 1997, cover (colour illus.). The glamorous Whiteleys marriage was fiery, and their inevitable separation added to the artists problems with substances and self-doubt. He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. Born: Longueville, Sydney, New South Wales, Australia 07 Apr 1939, Died: Thirroul, Wollongong, New South Wales, Australia 15 Jun 1992, Brett Whiteley in North Sydney house, date unknown, by Robert Walker Estate of Robert Walker.